April 25 Discount Rosetta Stone-- China Jewelry Supplies Store Tell Us Knowledge About Ancient Silver Tribal Jewelry In Central Asia

In museums in Tashkent and Samarkand, Eve and I see variations of rosetta stone
jewelry we already own. Beautiful pieces are for sale in the museum gift shops and in the bazaar. Wanting to contribute to the economy, not to mention our collections, we buy, but only after obtaining proper customs receipts and assurance of help should any problems arise when we are leaving for home. (We imagine “help” may involve wiring our loved ones, advising them that our vacation has been extended for an undetermined length.)In Kazakhstan, the metalsmith’s craft flourished in the 19th and 20th centuries, using an inventory of swage block, files, vices, pincers, chisels, draw-plates, punches, scissors, hammers, and only a few other tools. Master silversmiths, whose names are still honored today by Kazakhs, melted down Russian, Chinese, and Polish coins for silver. Unlike Uzbek and Tajik ornaments, Kazakh pieces are austere and large, though not as massive as those of the Turkmen. Kazakh jewelry is easily distinguished from other Central Asian styles. Using such stones as topaz, pearls, rough and faceted diamonds, rubies, crystal, carnelian, turquoise, mother-of-pearl, and coral, Kazakh artisans employ diverse methods, sometimes depending on what part of the country they come from. Most often seen is an item with a raised bezel with ruby-colored glass behind a filigree vitrine — like a magnificent miniature stained glass window. Engraving, openwork, applied and grain filigree, and niello techniques are also common. For engraving, a surface is filed clean and a design is engraved with a chisel, after which sheet gold is pressed into the outline. Filigree work, once executed only for wealthier clientele, is now more widespread. In openwork filigree, the elements of the pattern are soldered together; in applied and grain filigree, the finished design is soldered onto the metal. Several methods of niello work came into play some time in the 19th century. Granular work is traditional in southwestern Kazakhstan, while in western Kazakhstan, silver articles Learn Spanish
were often gilded, and differ markedly from the other ornaments in appearance and decoration techniques. While some Turkic invaders of the region settled in and took up agriculture, others practiced pastoral nomadism until the beginning of the 20th century, raising sheep and, especially, horses. Some of the most beautiful baubles are, in fact, horse trappings, since the Turkmen (and Kazakhs, as well), revere their horses as friends, a source of livelihood, a mode of transportation, a form of currency, and a measure of wealth. To see some truly spiffy horse gewgaws, check out Kalter’s The Arts and Crafts of Turkestan.Ancestor worship is common to Central Asians. In the mythological consciousness of the Turkoman, positive magic power is attributed to the decorative details crafted into their jewelry. Water signs, mountain motifs, tree-of-life, ancestral symbols, horn representations, leaf and blossom designs, are paired, much as in the Chinese concept of yin and yang, into male-female, east-west, sun-moon, bright-dark, etc., in a bid to preserve the balance of order in their environment. These designs emanate from early animist traditions largely unchanged despite Muslim influence. Many customs combining shamanistic ritual and Islamic practices involve using amulets and talismans to destroy malevolent forces. For an in-depth discussion of these symbols, consult Schletzer’s Old Silver Jewellery of the Turkoman.Silver wire is cut into tiny sections and heated on a perforated plate. When molten, the silver falls through into a bowl filled with cold water and hardens; the resulting granules are soldered onto the jewelry base. To decorate, gilding is used to accentuate and define incised lines. Fretwork is used on borders of Rosetta Stone Spanish Latin America
larger elements.

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